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Friday, January 22, 2010

Green Screen LA - Unlimited Potential

By Phillip Guye

Many films that are filmed in los angeles would not be possible without assistance from the green screen. How else would Godzilla stomp through New York? How could imaginary universes such as the one in Star Trek be possible? How could a motion picture look like a graphic novel so accurately? Despite how pretty a city LA is, L.A. Filmmakers can't just create settings that look as if they came straight from comic books or the minds of the most imaginative film makers in just a snap of a finger. In short , without the green screen LA ( a term coined from the prevalent use of these sort of screens in LA studios ) technology that many studios in los angeles have adopted as the only way to develop special effects, our movie-watching experiences will have a large amount of limits. Thankfully , LA film makers have actually discovered the joys of these screens and it's technology is here to stay.

The chroma key technique is all about blending 2 different pictures with each other. The foreground is retained while the background is replaced with another image. This is precisely why the background used must be a solid color. It makes it easy for L.A. Film makers and visible effects technicians to replace it with a different picture. Today, the most well liked background color used in the various studios spread round LA is green. This is because light is sensitive to this color, so meticulous lighting isn't required anymore. It also produces less noise and clean lines.

A nice example that makes use of the screen is the fresh blockbuster flick "300." Shot totally in a film studio in LA, the film relies heavily on visible effects to recreate the atmosphere and feel of Sparta right in the middle of L.A. Another thing the filmmakers considered is the look of the film. It had to have a resemblance to the exact graphic novel. This wouldn't be possible without the screen. In this movie, the actors were shot in front of the green screen. Finishing touches were added in post production. The background photographs used were all created with aid from various special effects such as CGI. The film looked like a cohesive entire, even though layers and layers of elements were used in order to come up with the finalized profuct. This wouldn't be possible without the this kind of technology that L.A. Film makers have really harnessed to it's maximum capacity.

For green screen LA technology to work, there are some particularly vital factors to be considered. First, though in depth lighting isn't needed, there is not any excuse to use unacceptable lighting. Only the best cameras and lights should be used when filming using a screen. Also, it is essential to avoid casting shadows on the screen. This will be a blemish that will be tricky to retouch. Remember that the employment of a green screen is to have nominal work. Not using the screen the right way will definitely defeat the aim of ever using it.

The green screen is a versatile tool. For filmmakers in los angeles and all over the globe, it aids them to create or even recreate the most engaging settings right in the middle of L.A. It is also a very important tool for photographers as it permits them to make more refinements to their footage. Green screen LA technology is definitely a terribly handy tool in the flick industry. It makes the very unlikely possible and brings what we will be able to only dare to imagine to life. Green screen rentals and materials can be discovered all around the city of los angeles. - 23812

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White Cyc: Boundless Space

By Phil Guye

White cyc is a stage background used to create the illusion of limitless space or sky. It is excellent for video and still photography allowing CGI effects to be added to the image. The main benefit of a white filming stage is the capability of making the background virtually disappear making all sorts of possibilities for lighting, and allows for the shutter-bug's subject being filmed to be center of stage.

Today's technology makes it possible for a line of white cyclorama products to be developed to meet the growing demand for white cyc backgrounds in a large number of environments and applications. This makes it possible for a cameraman to have his own white stage in his very own studio without the necessity for hiring a studio with a white stage. The ideas of straightforward assemble and smaller white stage backgrounds came from the founding father of Pro Cyc name Fritz. Fritz had his dream white studio built in Portland Oregon. The investment of money and time were great and construction employees labored for weeks building the studio out of plywood and drywall. During construction Fritz kept asserting, "There needs to be a neater way to build a white cyclorama studio?"

Fritz was given his chance to test out his speculation while building his 2nd white stage background in Portland after his first white cyc background suffered water damage while filming a special effect. Fritz's 2nd white cyc studio is still being use in Portland Oregon today and is being hired out to consumers like: Freightliner, Nike, Adidas, and Steinway among many others using the versatile studio. The studio has been repainted about 400 times since opening, but the walls still remain smooth as the first day they were installed.

The revolutionary patented molds developed by Fritz makes his company Pro Cyc one of the world's leading makers of modular white cyc background systems. Pro Cyc's research and development is consistently developing new ideas and products to meet the continually changing needs and demands of today's media and high-tech industries.

Pro Cyc works closely with their customers making sure they're achieving the optimum solution for their wants. Pro Cyc's engineering can customize design white cyc sets to meet the specialized and demanding needs of their customers. In 2007 pro Cyc enter into the personal studio market with a fresh product line reducing cyc technology down to the scale of a desktop, which broke the barrier of catalogue photography. - 23812

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Searching for Affordable Green Screen Tips

By Phillip Guye

It is always advisable to look for Green Screen Tips when it comes to securing a place in the movie industry. The issue of affordability comes into play every time you need to secure a high quality screen for your film shooting. Buying a green screen or (chroma key screen) can be expensive and building them on your own can be knackering. So, how do you decide the way to cheap screens? This is the topic debated in this post.

There is one thing that you must first consider when employing the utilization of chroma key screens. Chroma key screens are usually available in studios where the film shooting occurs. This is where you have got to pat lease costs that they would turn out to be exceedingly expensive. Therefore, you could have great data and use good Green Screen Tips so that you can secure the screens at a great cost. The first green screen tips is to think about the studio. Many studios have had different developments in the industry. This is the reason why their prices will vary when it comes to hiring chroma key screens from them. It's also always advisable to think about the studio prices. Compare them totally so that you get the best screen at a fair cost.

The second green screen tips is the component of going for less popular studios. It is mostly terribly costly to secure services at a well-known studio. These studios have just established a name for themselves. Therefore, they already have a high competition of people looking for their services in film shooting. As a result, you should gamble with the less well-liked studios. They also have chroma key screens that you may use in shooting your film. However, they are massively cheaper because they are simply attempting to make a name for themselves and make people accept that they can create quality productions. Therefore it's wise to look for such studios and take advantage of the lower costs.

The 3rd of the green screen tips is using online services to find top quality screens at cheap studios. This is a good way to lease chroma key screens because internet sites have a chance to provide a discount. You can find the sweetest deals online for your video production, and searching online for rentals should definitely not be discounted. There are such a lot of sites that you are bound to find a good offer. You simply need a P.C. and a network connection!

What you've got to be certain of is that the quality of the chroma key technology in your film production is always high whatever the affordability. Thus, always keep the Green Screen Tips in mind so you are able to make a great production at affordable costs. - 23812

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Green Screen LA Technology

By Phillip Guye

Were you ever curious about how special effects in movies are made? How do filmmakers recreate the magical arena of Hogwarts or conjure a pre-historic earth? How do filmmakers mix CGI with real life action shots? All these movie wonders have been made feasible by the green screen. It is also known as chroma key, blue screen, and color separation overlay ( CSO ). Without the green screen LA technology, which is utilized in studios all around the great town of Los Angeles ( Chroma Key technology ) many remarkable films would not be made. Moviegoers will be stuck with dull pictures with poor, little, or no visible effects at all . Without the chroma key, many probabilities in movie-making would still be in the dreams and imaginations of filmmakers.

These screens works by putting 2 pictures together. The solid background color is replaced by an exact background that will be seen in the final cut of the motion picture. Way back then, in the 1930's, blue was the colour of choice among filmmakers. After this, it was also used in many Technicolor films. One of the first pictures that made use of the chroma key was the screen adaptation of Ernest Hemingway's favored short story, "The Old Man and the Sea." The rest is history. More films were made with the help of chroma key technology. It eventually spawned many cinematic breakthroughs that made film making what it is in the modern day. For example, the Chroma Key screen is not used solely for changing backgrounds. Scenes are shot behind the screen so that it would be straightforward to add visual effects such as CGI.

For instance, in the film Lord of the Rings, the actor who played Gollum wore a body suit that was an identical color of the Chroma Key screen. Sensors were attached to the suit to maintain a record of his movements. The CGI rendering of Gollum's character is then put over the green suit, and the sensors make it appear like a real live creature is moving. Then, an honest to goodness background is added to replace the green screen. All in all, the Lord of the Rings universe was created by CGI and the green screen!

The employment of the screen became popular when advanced film making equipment were created and developed. Rather than blue, green became the new color of choice because it is far easier to manipulate. It doesn't need complex lighting, it creates less sound, and it makes clear lines which makes it simpler to work with in post-production. This is the reason why today, green screen LA technology is the fave tool of many filmmakers and is utilized in studios all across the city of Los Angeles.

Although giant movie studios and production homes are famous for making use of green screen LA technology, it is actually simpler to access than folks think it is. Even filmmakers on the cheap can make their own screens. With the correct materials, creativity, resourcefulness, and guts, anyone who needs to make a decent motion picture can make a DIY green screen. Now, big budget films can now be duplicated by anyone who has a creative mind. Any studio materials or rentals you need can be easily found in L.A. - 23812

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White Cyc Studios: Boundless Technology

By Phil Guye

White cyc is an individual component used to build a cyclorama that encircles the stage. All the advances in technology have done little to change the way in which the cyc is lighted over the years. All the new technology has increased the significance of correct lighting, and using the right kind of material for the white cyc.

What technology has done is take century old technology and make its use necessary for making virtual backgrounds for virtual and computer effects for the up and coming flood of films, and diverse video applications conditional on PC systems requiring faultless virtual backgrounds that may only be created in white cyc studios. White cyc studios technology dates back to nineteenth century German Theaters and has bounced round the entertainment industry for a long time. White wall surface was use for early twentieth century Broadway plays and finally ended up in Hollywood use for creating computer effects.

The white cyc is a very useful tool when it comes to lighting the white surface stage set. The white cyc supplies the lighting designer with an abounded number of lighting probabilities for staging the desired special effects scene. The white cyc with proper lighting will draw the spectators focus to the subject that the producer wants to show off. This is the major advantage of white surface backgrounds, and the reason white cyc studios are used for television commercials, stories programs, music videos, dance routines, and other sorts of film media. White is utilized for the color of the cyc as it leaves the background void so a new background with the desired effect can replace it. The void background is superb for digital fashion photography enhancing the model's appearance and keeping total target the model.

The number of white cyc studios technology walls can be painted green to combine green screen effects in the white cyclorama studios. This works as the cyc is void of background allowing for the green screen background effect to turn up in place of the white cyclorama background. Using the cyc enhances the green screen effect by giving it illusions depth and infinite space. Robert Rodriguez exploited a method similar when he was filming Sin City when he uses his 1956 Chevy Panel truck in the flick. He places his van on a platform and films it from all different camera angles. The actors were filmed in front of a green screen background and were composite in the wagon film to appear to be inside of the wagon. In reality the actors never were in the van during filming. With the inflating number of computer effects in pictures and TV programs today cyc lighting is very essential in creating special visual effects.

Movie producers have doubts about using white cyclorama residences for CGI effects. The producer's doubts are quickly dismissed with clear understanding of what the cyclorama studios can do when they witness the results from the production studios. Another use for white cyc studios technology backgrounds is on talk shows when music groups stop by to play one of their new music pieces. The white surface provides the perfect area for creating a quick music environment. - 23812

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