Pro Music Production Tips - A Few Friendly Tips to help You on Your Way
When I started in music production, I wished that I might have somebody that could answer all of the questions I had and explain everything and expand my understanding in the areas I was lacking. The difficulty is that the whole area of music production is big, not to mention most of the people have their own unique way of doing things. I'm now going to offer you some pieces of advice that are important in your success and will help you to pave a path to a pro music production.
Do not mix for too much time ; let your ears rest - it is important to take breaks during mixing. For each hour you are mixing a track permit a twenty minutes break. This can be quite hard if you are doing computer music production, as the PC you'll be mixing on will doubtless be in the room you spend the majority of your time. Now. Nobody really sticks to this break-time formula as regular clockwork but it is something to aim for and perhaps let this time overlap a bit.
I'd say to take five earlier if you are working on a tiny repetitive section of a song for some time, as your intelligence will just 'let go' and not be sharp and anything will sound amazing after a while sabotaging any plan to get a professional music production finished.
Do not mix in a giant spacious environment - Anything that changes the sound of your track that's outside of computer music production or a mixing desk is a difficulty. If you mix like this, you could get a professional music production out of your track but once you take it out of the room you mixed it in it will sound totally terrible as the ambiance and acoustics of that room are no longer present.
Do not mix a music track on the same day recording it - This is for 2 reasons. First reason would be because you use two different parts of your brain to do each. For one you've got to really concentrate hard and the other one's the opposite, you want to concentrate too but you also want forget what you are doing and sense or feel.
The second reason would be caused by the likely levels your ears have had exposure to during recording, some artists / bands would not have this but they would have the first reason as a reason not to do both mixing and recording on one day. It can be tough if you're working on a P. C. music production but you really must learn how to leave it alone and give your intelligence and ears a rest ; do something that uses your other senses and don't sit in the same place that you'll mix in when you're not mixing.
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Do not mix for too much time ; let your ears rest - it is important to take breaks during mixing. For each hour you are mixing a track permit a twenty minutes break. This can be quite hard if you are doing computer music production, as the PC you'll be mixing on will doubtless be in the room you spend the majority of your time. Now. Nobody really sticks to this break-time formula as regular clockwork but it is something to aim for and perhaps let this time overlap a bit.
I'd say to take five earlier if you are working on a tiny repetitive section of a song for some time, as your intelligence will just 'let go' and not be sharp and anything will sound amazing after a while sabotaging any plan to get a professional music production finished.
Do not mix in a giant spacious environment - Anything that changes the sound of your track that's outside of computer music production or a mixing desk is a difficulty. If you mix like this, you could get a professional music production out of your track but once you take it out of the room you mixed it in it will sound totally terrible as the ambiance and acoustics of that room are no longer present.
Do not mix a music track on the same day recording it - This is for 2 reasons. First reason would be because you use two different parts of your brain to do each. For one you've got to really concentrate hard and the other one's the opposite, you want to concentrate too but you also want forget what you are doing and sense or feel.
The second reason would be caused by the likely levels your ears have had exposure to during recording, some artists / bands would not have this but they would have the first reason as a reason not to do both mixing and recording on one day. It can be tough if you're working on a P. C. music production but you really must learn how to leave it alone and give your intelligence and ears a rest ; do something that uses your other senses and don't sit in the same place that you'll mix in when you're not mixing.
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