Guitar Instructional DVD: Learn With The Pros
Like you probably have done, I have read a ton of interviews with great players and articles written by many of these same players. I often found it frustrating whenever the subject of learning to play guitar came up or when advice was offered on improving one's playing. With a small number of exceptions, very little time and space was offered on this.
Its not uncommon to see the player's advice be summed up in a grand total of three words: Practice! Practice!! Practice!!! Well of course we all know that practicing is the main ingredient. But rarely are we told much more than that. In my long quest to become an excellent player and to help my students do the same I carefully took note of what worked and what didn't. What parts conventional wisdom is accurate and what parts are (at least in my opinion) are not. I believe the twenty concepts that have proven to bring great results to those who use them are:
Believe in yourself. You have probably heard that phrase many times before. Its unfortunate how many people still refuse to invest their own beliefs into themselves. I wrote an article on Perseverance which deals indirectly with believing in yourself. Please read it if you have a problem believing that you can reach your goals.
Create a strategy! You need a strategy that will layout exactly how you are going to reach your goals. Dreaming alone won't take you anywhere. Telling yourself that you are going to play your guitar everyday isn't enough. There is a lot more that goes into being an excellent player than simply playing your guitar.
For instance, the process may go like this: I notice I have trouble with a fast scale passage in a piece I am playing. I notice a particular note starts disappearing when I reach a certain speed. The note is being missed.
But for many people, it is a very disconcerting experience. I have gotten letters from people who have read some things I have written, and become afraid to practice! They are so aware of, and on their guard against, excess muscle tension, and the devastating effects for the developing player, they are afraid to touch a string!
What I didn't know was that even though I was learning to keep up with these chord changes, I had so much muscle tension in my arms and other parts of my body, that I was locking in tensions that didn't have to be there, and would come back to haunt me a few years later as I attempted the classical repertoire, where you don't really get away with things like that. As the years went by, and especially in teaching others, I realized that it doesn't have to be that way for anybody! There is a way of going about it that doesn't create or allow this situation.
Bar chords are what I am referring to. I am going to address the physical, technical aspects of learning these chords in a way that will enable you to avoid the difficulties that attend the learning of them for most players. - 23812
Its not uncommon to see the player's advice be summed up in a grand total of three words: Practice! Practice!! Practice!!! Well of course we all know that practicing is the main ingredient. But rarely are we told much more than that. In my long quest to become an excellent player and to help my students do the same I carefully took note of what worked and what didn't. What parts conventional wisdom is accurate and what parts are (at least in my opinion) are not. I believe the twenty concepts that have proven to bring great results to those who use them are:
Believe in yourself. You have probably heard that phrase many times before. Its unfortunate how many people still refuse to invest their own beliefs into themselves. I wrote an article on Perseverance which deals indirectly with believing in yourself. Please read it if you have a problem believing that you can reach your goals.
Create a strategy! You need a strategy that will layout exactly how you are going to reach your goals. Dreaming alone won't take you anywhere. Telling yourself that you are going to play your guitar everyday isn't enough. There is a lot more that goes into being an excellent player than simply playing your guitar.
For instance, the process may go like this: I notice I have trouble with a fast scale passage in a piece I am playing. I notice a particular note starts disappearing when I reach a certain speed. The note is being missed.
But for many people, it is a very disconcerting experience. I have gotten letters from people who have read some things I have written, and become afraid to practice! They are so aware of, and on their guard against, excess muscle tension, and the devastating effects for the developing player, they are afraid to touch a string!
What I didn't know was that even though I was learning to keep up with these chord changes, I had so much muscle tension in my arms and other parts of my body, that I was locking in tensions that didn't have to be there, and would come back to haunt me a few years later as I attempted the classical repertoire, where you don't really get away with things like that. As the years went by, and especially in teaching others, I realized that it doesn't have to be that way for anybody! There is a way of going about it that doesn't create or allow this situation.
Bar chords are what I am referring to. I am going to address the physical, technical aspects of learning these chords in a way that will enable you to avoid the difficulties that attend the learning of them for most players. - 23812
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