5 Movies That Change the Way You Look at The World.
Ever seen a movie that changed your life? Not just in a superficial way, like "wow, I just saw a movie that I like more than all others!" No, I mean one that really changes the way you see the world.
Sometimes people make a list of movies that aren't all that watchable. Not these -- you can see these 5 ones thousands of times, and they are really, really powerful films.
#5: Riefenstahl's Disturbing Masterpiece, Triumph of the Will.
All film is spectacle, it has been said, and there was no larger and more grotesque spectacle than Hitler and his Nazi party. This film celebrates them with movie techniques that were pioneering in its day, and since it is such a celebration of his party, it is so ultimately disturbing that it alters how you see 'tribute' films forever.
#4: Bicycle Thieves.
If you want a little bit of proof that a simplistic story with the vaguest of outlines -- man gets bike and job, bike is stolen, man loses job and steals another bike -- can say universal things about humanity and sadness, then this is your film.
#3: Polanski's Deconstruction of Hollywood in Chinatown.
If you don't feel like going through all the old film noir movies of the 30s and 40s, watch Chinatown instead. Not only is it a ridiculously good homage to all of those, but it arguably does 40s Hollywood better than 40s Hollywood did itself. This is one of those movies you can come back to, literally hundreds of times over.
#2: Vertigo.
There is no other film that tricks the viewer into thinking they are watching just a normal (albeit extremely brilliant) thriller, while simultaneously deconstructing everything about what an actual film director does on set. If you ever need to see a film that can have so much going on all at once without seeming overcrowded, this is it.
#1: America is Summed Up in The Godfather.
It doesn't matter that this film is about the mafia -- it's actually about family, power, children, America, crime, and politics. It's also told so unbelievably well that sometimes you literally cannot believe it doesn't have a bad moment. Which it doesn't. The ultimate example of film's completely unique cultural position. - 23812
Sometimes people make a list of movies that aren't all that watchable. Not these -- you can see these 5 ones thousands of times, and they are really, really powerful films.
#5: Riefenstahl's Disturbing Masterpiece, Triumph of the Will.
All film is spectacle, it has been said, and there was no larger and more grotesque spectacle than Hitler and his Nazi party. This film celebrates them with movie techniques that were pioneering in its day, and since it is such a celebration of his party, it is so ultimately disturbing that it alters how you see 'tribute' films forever.
#4: Bicycle Thieves.
If you want a little bit of proof that a simplistic story with the vaguest of outlines -- man gets bike and job, bike is stolen, man loses job and steals another bike -- can say universal things about humanity and sadness, then this is your film.
#3: Polanski's Deconstruction of Hollywood in Chinatown.
If you don't feel like going through all the old film noir movies of the 30s and 40s, watch Chinatown instead. Not only is it a ridiculously good homage to all of those, but it arguably does 40s Hollywood better than 40s Hollywood did itself. This is one of those movies you can come back to, literally hundreds of times over.
#2: Vertigo.
There is no other film that tricks the viewer into thinking they are watching just a normal (albeit extremely brilliant) thriller, while simultaneously deconstructing everything about what an actual film director does on set. If you ever need to see a film that can have so much going on all at once without seeming overcrowded, this is it.
#1: America is Summed Up in The Godfather.
It doesn't matter that this film is about the mafia -- it's actually about family, power, children, America, crime, and politics. It's also told so unbelievably well that sometimes you literally cannot believe it doesn't have a bad moment. Which it doesn't. The ultimate example of film's completely unique cultural position. - 23812
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